
When the name Predator appears on a movie title, fans of the iconic franchise naturally sit up and take notice. So when Predator: Wastelands quietly dropped on digital platforms in November 2025, a whole lot of curious viewers clicked play — only to discover this wasn’t quite the film they were expecting. Written and directed by Ryan Ebert and produced by The Asylum, Predator: Wastelands is a mockbuster — a low-budget film designed to ride the coattails of a major studio release, in this case Disney’s much-anticipated Predator: Badlands. Whether that’s enough reason to give it a watch or a hard pass is what this review is here to help figure out. Flickering Myth
The story follows an alien hunter who arrives on a post-apocalyptic Earth, takes down a gang of warlords, and unexpectedly becomes a folk hero to the oppressed locals. With their newfound support, the alien then sets its sights on the warlords’ ruthless and most powerful leader. IMDb
On paper, that actually sounds like a halfway interesting premise — a creature from another world accidentally stumbling into the role of a liberator. It’s got shades of classic sci-fi westerns and could have been a fun, campy ride. The trouble, as many viewers quickly discovered, is that the execution doesn’t quite live up to the concept.
The Asylum has been in the mockbuster business for well over two decades, and Predator: Wastelands fits neatly into their tried-and-tested playbook. The studio typically knocks out these films on budgets ranging from $250,000 to $500,000, and they tend to find their audience through video-on-demand services like Pluto and Tubi. Knowing that context going in makes the viewing experience a lot easier to manage, because expectations play a huge role in how one ends up feeling about a film like this. IMDb
According to director Ryan Ebert himself, Predator: Wastelands was shot in just six days, with fewer than a hundred VFX shots completed in roughly two weeks — some of which incorporated AI-generated visuals. That’s an almost unbelievable production timeline, and Ebert has been refreshingly open about the challenges the crew faced throughout the process. IMDb
In his own candid post about the film, Ebert acknowledged that there were a lot of production issues along the way, and he expressed genuine pride that a finished movie exists at all. He also openly stated his discomfort with the AI-assisted visual effects, saying he hated it and worked to minimize its presence wherever he could — though ultimately the VFX department’s operations were beyond his control. Letterboxd
That kind of transparency from a director is actually pretty rare and, in a strange way, makes it easier to root for the film on some level — even when it stumbles.
The film was produced by The Asylum alongside Atomic Blonde Entertainment, and runs at a runtime of 1 hour and 30 minutes. It carries no rating, which is par for the course with Asylum productions. The studio has a long history of putting out films that polarize audiences — some embrace the low-budget charm, while others find it hard to get past the rough edges. Rotten Tomatoes
The first official trailer for Predator: Wastelands dropped in late October and early November 2025, and it does a decent enough job of selling the film’s core premise. It shows glimpses of the alien creature, some desert-set action sequences, and a handful of confrontations with the warlord faction. For fans of B-movie trailers, it hits the usual beats — dramatic music, quick cuts, and just enough intrigue to get someone curious. YouTube
What the trailer doesn’t do is oversell the production value. Everything on screen looks exactly as polished as one would expect from an Asylum production, which is to say — not very. But for viewers who know what they’re signing up for, the trailer is an honest enough representation of the final product.
The film stars David Chokachi as Balam, Amulya Ananth as Samira, Jeremiah A. Walker as the Alien Predator, Johnny Ramey as Omar, and Vanessa Zanardi as Inara, among several other cast members. The ensemble is rounded out by a number of lesser-known performers taking on roles as warlords, villagers, and fighters. IMDb
David Chokachi is the most recognizable face in the cast, and he carries the film with a certain veteran steadiness. The acting performances in general are described as fair enough — not award-winning by any stretch, but serviceable for the kind of film this is. IMDb
A number of viewers who gave the film a fair shot noted that the cast was clearly giving it their all, and that the people behind the camera genuinely seemed to be trying. That effort counts for something, even if the final result isn’t exactly a polished piece of cinema. Letterboxd
This is perhaps where Predator: Wastelands takes the most heat from viewers. Given the constraints of a six-day shoot and an extremely limited budget, the alien creature design was always going to be a challenge. Some reviewers compared the visuals to those of a 1990s TV movie or a late-night Syfy channel production. IMDb
The alien itself, played by Jeremiah A. Walker, relies heavily on practical costume work rather than elaborate digital effects — and the results are mixed at best. For some, there’s a nostalgic, retro charm to the lo-fi aesthetic. For others, it’s simply too rough to overlook.
It’s impossible to review Predator: Wastelands without at least nodding to the film it was designed to shadow. Disney’s Predator: Badlands, directed by Dan Trachtenberg, is the seventh installment in the official Predator franchise, starring Elle Fanning and Dimitrius Schuster-Koloamatangi. The film follows a young exiled Yautja who must prove himself worthy of the hunt and ends up forming an alliance with a Weyland-Yutani android. It’s a big-budget, studio-backed production with a world premiere at the TCL Chinese Theatre — about as far from Wastelands as it’s possible to get. Wikipedia
The two films share a title word and a broad alien-hunter concept, and that’s where the similarities end. The Asylum essentially beat Disney to the punch by releasing Predator: Wastelands on VOD just before Badlands hit theaters. It’s a classic Asylum move, and one that clearly caused no small amount of confusion among streaming audiences. IMDb
On IMDb, Predator: Wastelands holds a rating of 1.7 out of 10 — which tells its own story fairly clearly. A large portion of the negative reviews come from viewers who stumbled into the film expecting the official franchise entry and felt misled by the similar title. IMDb
On Rotten Tomatoes, the film has essentially no formal critical reviews, though audience comments have been blunt — one viewer noted that the special effects left a lot to be desired after only eight minutes of watching. Rotten Tomatoes
That said, there’s a quieter contingent of viewers who approached the film knowing exactly what it was and found it to be an oddly enjoyable time. One Letterboxd reviewer gave the film a 6 out of 10, describing it as genuinely different from expectations, with some fun moments along the way, and praising it as a solid mockbuster effort compared to some of The Asylum’s other recent output. Letterboxd
Here’s the honest takeaway: Predator: Wastelands is not a great film by conventional standards. It’s rough around the edges, the creature effects won’t blow anyone away, and the story struggles to find a consistent rhythm across its 90-minute runtime. But it does have a genuinely unique premise buried inside it, a cast that’s putting in effort, and a director who was clearly passionate about what he was making — even when working against enormous constraints.
If someone goes in expecting the official Predator franchise experience, they’re going to be disappointed. But if they’re a fan of Asylum productions, enjoy low-budget sci-fi with a B-movie spirit, or simply want something different to throw on for a casual night in, Predator: Wastelands offers exactly what it promises — nothing more, nothing less.